The Classroom


The Classroom - Cover.png

“Every Student, every teacher, every parent - every person should read

this wonderful, magical collection about what it means to learn and grow. It will creep you out and enchant you utterly - often in the same line, like life.”

—Amber Sparks, author of AND I DO NOT FORGIVE YOU and The Unfinished World


Enter a school

full of spies, full of girls who turn to rabbits, a school that detaches itself from the earth and, untethered, floats away. A school of bees. A school of stardust. A school downloadable, into a foot-port, over a summer. In these twelve tales, Dana Diehl and Melissa Goodrich unpack each magical classroom and the all-too human characters who inhabit them.


Eerie and haunting as feral children at play, this brilliant collaborative collection coheres around themes of childhood, technology, consent, and pleasure. Each story concocts a complete world, believable characters steeped in complex ethical dilemmas, at once humorous and disturbing, compassionate and distorted. Parents build children byte by byte; children vanish into subterranean classrooms where recess is their only hope of engineering an uprising; a bee enrolls in school to escape the groupthink of the swarm. I loved reading this sly, edgy collection. It made me look for hidden seams, signs of an imaginary world as dazzling and delirious as this one. 

 —Carol Guess, author of Doll Studies: Forensics and With Animal

If the Magic School Bus was driven by Kelly Link, you’d end up in The Classroom, a space between Nth period daydreams where your growing pains leap from cubby holes just to share their pudding. These fantastical lessons should be on everyone’s reading list. 

 — Sequoia Nagamatsu, Where We Go When All We Were Is Gone 

Wherever The Classroom’s astonishing teacherly tales begin—the arrival of an android child, a substitute teacher who instructively time-travels his students, a school that uproots from the earth and floats into the sky—they will always reroute you right back to yourself, brilliantly, with grace, in style, on a wonder-trail of grounded, glimmering truth.  Diehl and Goodrich have given fabulism a bravely compassionate glow.  These stories lead with and land in the heart.

—Joseph Scapellato, author of The Made-Up Man and Big Lonesome

 

This collection is a wonder. From a classroom of young magicians to a school that untethers itself from the earth and floats into the stratosphere, Dana Diehl and Melissa Goodrich draw us into educational spaces filled with boundless curiosity and extraordinary imagination. In The Classroom, the entire world is a tutorial filled with awe. These stories are absolute magic.

—Anne Valente, author of Our Hearts Will Burn Us Down


praise for the classroom

A Genre-Mixing Collection To Rival Your Streaming Obsession

 Bailey Drumm, Atticus Review

“The stories in The Classroom mix an eerie sense of confinement and force of its titular space against the spirited natural being cast. Children have the center of attention, but sometimes teachers need it too. Both are learning and growing. Though things may sometimes feel ordinary, there is always another layer forming, another story that could be peaking through. In The Classroom, there may be more to a story than what presents itself in the first read. Allow yourself to learn.”

“The Classroom” by Dana Diehl and Melissa Goodrich

Jason Teal, Another Chicago Magazine

“The collection posits a boundless imagination inherent in the school setting, where brains have been tested and challenged. The teachers may be flawed, and students may be worried, but everyone is trying to make sense of things around them. We develop as human beings in the classroom. 

Authors of a combined four books, Dana Diehl and Melissa Goodrich have surfaced from a sea of New York stories to create characters and situations full of lyrical constraint and wondrous plotting. The Classroom is a collection to be treasured for its limitless determination of the short story model.”


Interviews:

Dana Diehl and Melissa Goodrich with Joseph Scapellato

Joseph Scapellato, The Brooklyn Rail

“All of these stories began with a “what if?” question. What if there actually were secret rooms in schools? What if the school mascot came to lifeWhat if the school flew away? What if you could program lessons into a student like you program software into a computer?”

 
 
 

DAUGHTERS OF MONSTERS

 

 
 
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A raw and magical book of spells, an honest yet harrowing look at the wonder and threat of the world.  


In these 17 short stories, a toxic cloud sweeps west to east across the country, devouring all in its path.  Past versions of a man show up at the birthday party he's thrown himself.  A lonely trucker delivers two-headed angels as part of a money-making scheme.  And, in the title story, a daughter of monsters awaits her coming-of-age. 

 
 

"If you follow your imagination far enough, you break through into the center of your own heart.  This is a trick not many have mastered; Melissa Goodrich does it every single time."

Ben Loory, author of Stories for Nighttime and Some for the Day

"In Daughters of Monsters, Melissa Goodrich picks up the world as we know it and spins it on the tip of her finger.  She adds a bit of torque with each story, and you start to wonder if it's going to fall.  It never does." 
Colin Winnette, author of Haints Stay, Coyote, Fondly, and Animal Collection

"These stories zoom toward our planet from the Oort cloud that is Melissa Goodrich's brain.  The tales are prismatic and sweetly perturbing, and the language is lemniscate.  Like your little brother and sister in a house of mirrors, Goodrich plays tag with your tongue.  Tighten your Kuiper belt, sweethearts.  This is a fabulous ride."
Catherine Zobal Dent, author of Unfinished Stories of Girls


praise for daughters of monsters

Daughters of Monsters by melissa goodrich

Michael Czyzniejewski , Story 366

"Goodrich has poet-level skills in both decription and lyricism, and in “Daughters of Monsters,” she unloads image after image of what these so-called monsters look like, from their beaks to their feathers to the slimy aftertrails. [...] I was riveted to every part of this, surprised over and over again, and read the story three times, finding something new each pass.

Most of the stories I read in Daughters of Monsters had the same effect on me as the title piece, daring, innovative pieces of fiction that introduced me to a strong and distinct new voice."

 

18 best books of 2016

Cultured Vultures

"Daughters of Monsters is a collection of short stories that all contain hints of the weird and the wonderful, in an almost dystopian fashion. It’s musical in its format, with shorter, easier stories providing breaks from the more complex stories like small interludes, and each tale having a slightly surreal twist or setting.

I would recommend this book to anyone who wants a bit of a break from realism: it’ll introduce new and exciting ideas to you, which will creep up on you again in daydreams."

 

Recommended Reading 2016

Necessary Fiction

"The surreal and lyrical stories in Goodrich’s debut collection are what the transformation sequences in werewolf movies aspire to: visceral, transfigurative, mesmeric, and brutally beautiful."

 

The Massive, Strange Shape of a Story: A Conversation with Melissa Goodrich

James Tadd Adcox, Make Literary Magazine

"A onetime student of writer Kate Bernheimer, Goodrich shares Bernheimer’s interest in fairy tales, with a strong dose of formalist experimentation and stunningly lyrical writing; her stories can often feel like long prose poems, their narratives moving with the associative logic of dreams."

 

Amber Sparks's Five flash fiction writers

Amber Sparks, VELA

"Her stories are electric—seriously, I could identify her writing anywhere because of the sheer insane bright white energy pouring out of it. Please read her. Please read this sentence—‘All of the boys in school are breaking their hands’—and then TRY NOT TO READ THE REST OF THAT STORY. Just try."

 

Daughters of Monsters by Melissa Goodrich

Trent ChabotHeavy Feather Review

"Goodrich has created a world in her collection, a world that warrants a second look. Goodrich’s stories are the insane conspiracy theories the drunk guy at the party won’t shut up about. The one you roll your eyes at and laugh off, taking another swig from your red solo cup and move on to the next person to talk to. But they’re the same conspiracy theories you mull over in your head for days after."

 

Book Review: Daughters of Monsters

Carolyn Decarlo, Necessary Fiction

"It is the women in Daughters of Monsters who dismember animals in times of distress, from

Elsa’s toad in “Lucky” to Papa’s unhatched chicks in “For Good,” and without remorse, as in the titular story... Because women aren’t made to be loved in Daughters of Monsters. Some of them are horrible, morally and physically, and that’s truly beautiful."

 

Fore-Side Chats: May Edits

Carolyn Decarlo, Real Pants

"Daughters of Monsters is a wonderful debut short story collection, full of apocalyptic narratives delivered by flood, poison gas, and the double whammy of snow storm and animals growing to gigantic proportions... Melissa’s imagination is wild, and her stories are uncontained. "

 

Book Review: Daughters of Monsters by Melissa Goodrich

Augusto Corvalan,  The Masters Review

"Goodrich writes that magic is what ‘makes something happen that wouldn’t otherwise happen.’ That’s a perfect encapsulation of how Goodrich approaches her stories, mixing elements that shouldn’t blend, then adding magic into the testube. Atoms rearrange, new substances are created. We see new worlds, we receive new eyes."

 

Most Anticipated Small Press Books of 2016

Big Other

"She is a harbinger of the dizzying strange scenario, sometimes genre bent, but just as Ioften unprecedented. One of my favorite stories in the book is “Anna George,” which supposes that “[y]our parents go on a trip overseas and your mother comes back as an orange and your father doesn’t come back at all,” and unravels from there, but treats the subject with the utmost sincerity. Daughters of Monsters also sees a family fleeing a wall of toxic gas for several pages, and has siblings running through recently acquired superpowers—as if rivalries weren’t complicated enough."

 

BOOK REVIEW: Daughters of Monsters by Melissa Goodrich

Georgie Evans, Cultured Vultures

"I can only describe the book as the Tim Burton of short story collections – I don’t really understand everything, I can see their relevance to each other as a compilation as well as each tale’s individual cleverness, but most importantly I like it. The chaos of occasionally nonsensical yet raw stories succeeded at intriguing me and forcing me to search for hidden meanings and representations, with images and ideas that will no doubt keep me occupied."

Interview with Georgie Evans, Cultured Vultures

 

Featured Book: Daughters of Monsters

David Atkinson, The Lit Pub

"I found the stories in Daughters of Monsters to be wild and wonderful, plenty to dazzle while still having plenty to think about. There’s a great deal of poetry to the language of the stories as well, making them as intriguing on a microcosm sentence level as they are on a macrocosm plot level."

 
 

publications


Fiction

RUNAWAY, Psychopomp Magazine, 2020.

LITTLE GHOST, The Forge, 2020.

  • nominated for The Best Short Fictions

GARDENS, Pidgeonholes, 2020.

  • nominated for The Best Small Fictions

EXQUISITE SILENCE, Paper Darts, 2019.

SUBJECT LEFT BLANK - ARE YOU SURE YOU WANT TO SEND? Jellyfish Review, 2019.

HEARTSPACE, Necessary Fiction, 2019.

THE INNKEEPER, Flock, 2018.

IVY, Flash Fiction Online, 2018.

BLIND DATE WITH ELLIPSES (AND OTHERS), Necessary Fiction, 2018.

DARKNESS, The Collapsar, 2018.

END OF THE WORLD, Superstition Review, 2018.

ANTS FROM DIFFERENT COLONIES, The Cabal, 2018.

SAPPHIRES, The Forge, 2018.

THE GIRL WHO TURNS TO RABBITS, Squalorly Lit, 2017.

PIONEER WOMAN, Past Simple, 2016.

LUCKY, Artful Dodge, 2016.

SHE WANTS, SHE GETS, Sundog Lit, 2016.

DAUGHTERS OF MONSTERS, Gigantic Sequins, 2016.

THE REAPPEARING MAN, Revolver Magazine, 2015.

ANNA GEORGE, Passages North, 2015.

THESE 13 CERTAIN THINGS, PANK, 2014.

SUPER, Kenyon Review Online, 2014.

SCHOOL, Word Riot, 2014.

TELEPHONE: A STORY IN FIRST SENTENCES, Artifice Magazine, 2011.

THE VANISHING HORSE, Noo Weekly, 2011.

PANGAEA, Killauthor, 2011.

THE ASTRONAUT, American Short Fiction, 2011.

THE LOVE-HATE THESES, Phoebe, 2011.

FOR GOOD, PANK, 2010.


Collaborations

THE BOY WHO ARRIVES IN A BOX, Passages North, 2019.

THE SCHOOL MASCOT, Moon City Review, 2019.

ANYTHING CAN BE A WEAPON, Heavy Feather Review, 2019.

THE SUBSTITUTE, CRAFT, 2019.

SOME DAYS THE BEES ARE MELANCHOLIC, The Offing, 2018. 

THE JANITOR’S STARS, Sundog Lit, 2017.

  • Sundog Lit Flash Fiction Collaborative Contest Finalist

  • Nominated for a Pushcart in 2018

SPY GIRL, Adroit Journal, 2017.

THE GIRL WHO TURNS TO RABBITS, Squalorly Lit, 2017.

THE BOY WHO TURNS TO TOADS, Necessary Fiction, 2016.

THE FLOATING AWAY SCHOOL, Indianola Review, 2016.

THE CLASSROOM BENEATH OUR CLASSROOM, Passages North, 2016. 

  • Nominated for a Pushcart by Black Lawrence Press, 2016.


Anthologies

ANNA, Coyotes: Tucson Festival of Books Literary Awards, forthcoming from Imago Press.

THE CLASSROOM BENEATH OUR CLASSROOM, They Said: A Multi-Genre Anthology of Contemporary Collaborative Writing, Black Lawrence Press, 2018.

WHERE DUST STORMS MAY EXIST, Anthology of Etiquette and Terrifying Angels with Many Heads, NAP Press, 2012.


POETRY

WHEN YOU WRITE YOUR THANKSGIVING CARD TO THE POLICE AFTER YOUR BRAIN WAS STOLEN AND YOU NEEDED HELP FILING THE INCIDENT REPORT, Gigantic Sequins, 2020.

INTRODUCTION PARAGRAPH, Sundog Lit, 2020.

SMALL FISH, Pidgeonholes, 2019.

AUBADE WITH TO-TO LIST, The Collagist, 2019.

STARDEW, Cartridge Lit, 2017.

IF YOU WHAT, Fourth and Verse Books, Chapbook Prize Winner 2012.


podcasts

DANA DIEHL AND MELISSA GOODRICH, Limited Engagement, 2019

THE GIRL WHO TURNS TO WHITE RABBITS, Bestiary Podcast, 2019


Craft Essays & Nonfiction

Diving into the Faery Handbag: On Fabulism

Electric Lit, 2016

Fabulism makes the emotional reality the actual reality. It’s more real to confront your demons when they are in the room with you. So, you can’t escape. Amber Sparks writes that “It’s a perfect time to turn ourselves inside out by turning the world around us outside in.” Meaning fabulism privileges how it feels –it’s real because it feels real.

Research Notes: Daughters of Monsters

Necessary Fiction

I researched by giving back the ring.
By eavesdropping.
By wondering where the lost plane went.

press

Tucson authors explore magical school stories in new book, Johanna Willett, The Arizona Daily Star

TWO TUCSONANS PLACE IN TUCSON FESTIVAL OF BOOKS LITERARY AWARDS

Ann Brown, The Arizona Daily Star

THE BEST SHORT STORY I READ IN A LIT MAG THIS WEEK: "ANNA GEORGE" BY MELISSA GOODRICH

Plougshares

READ 15 AMAZING WORKS OF FICTION IN LESS THAN 30 MINUTES

The Huffington Post

FRIDAY FICTION RECOMMENDATION: "SCHOOL" BY MELISSA GOODRICH

The Witty Agent


Awards & Fellowships

2018 Passage’s North Waasnode Fiction Prize, for the story “The Boy Who Arrives in a Box”

2017 Sundog Lit Flash Fiction Contest Finalist, for the story “The Janitor’s Stars”

2016 Tucson Festival of Books Fiction Award, for the story "Anna"

2016 Pushcart Prize Nomination, for the story "Anna George"

2013 Margaret Sterling Memorial Award, for the poems "Hence/Literally/OED/Obsolete," "Selections from the Iliad," and "Insider"

2013 AWP Intro Award, for the story "Lucky"

2012 Academy of American Poets Prize, for the poems "Rattles," "Two Directions, "Watch Stopped Sort of Prophetically on a Plane," and others  

2012 Fourth and Verse Chapbook Contest winner, for the chapbook IF YOU WHAT

2012 Laverne Harrell Clark Fiction Award - Honorable Mention, for the story "Birthday People"

2012 University of Arizona Foundation Award, for the poem "On Lonely and Letting It"

2011 Juliet Gison Memorial Award for Outstanding Student Writer, selected by Nick Ripatrazone

2010 Fellowship for the Bucknell Seminar for Younger Poets

2010 Juliet Gibson Memorial Award for Outstanding Student Writer, selected by Catherine Pierce

 

 

 
 

 nano micro

nano as in one-billionth.

Micro as in small.


Be small and glorious!

Be small and glorious!

National Novel-Writing Month, or NaNoWriMo, intimidates me. It’s a victory when I write 8 sentences in a sitting, and a novel is something my brain doesn’t have enough rope to lasso around. But micros — like, writing 8 sentences a day, for 30 days — that sounds possible. So poets and prose-ets and tiny-sentence-writers — let’s do that. Let’s write the nano-micro-est.


nano micro prompts

to ignite the flame



 
 

video stories

 
 

the end of amber

The closer the stars are to our bodies, the more we notice ourselves changing. They make you feel like a rock whipping along the asteroid belt.

Story originally published by Sundog Lit, as a Collaborative Contest Finalist.

narrated by Melissa Goodrich

 
 

the classroom beneath our classroom

Sometimes in the gaps between lessons, those rare moments when no one is whispering or coughing or tapping their marker against the desk leg or humming without knowing it or sharpening their pencil, we hear them. The classroom beneath our classroom.

Story originally published in Passages North.

narrated by Dana Diehl

 
 

the 41st bee

When your elementary school classroom gets a new student--a swarm of bees--and you don't know what to do.

Story originally published in The Offing.

narrated by Melissa Goodrich